![]() ![]() So there's nothing else left and if you do that, you won't have to braid it or boil it or anything. So now I'm to the tip and I'm going to braid it down all the way till I'm out of hair. That'S what I'm going to do, because I'm that kind of girl you know, love me some hair. Some people braid them all the way down to the length of the braid. Some people cut them down and have them right here. How long are short you want? The braids is up to you. So now you can just continue braiding like so until you get to the bottom of the braid. I need to split one of the yaki sections into two just so that I'll have some yaki hair going on with your real hair and then now now we've got it going on. ![]() Make it so that braid will not slide down and then, of course, you need to incorporate some of the yaki hair, because you see I have three sections of hair to yaki and one with just your hair. I like to split the clients, actual hair into two like so and then, and then give it a little pull and then start braiding that'll. ![]() I know I used to keep me forever, so what I do is I wrap the hair around the top of the section that I've sectioned out and I wrap it around like so and then you see you've got three strands of hair, so you can actually start To do a three strand braid from here, but just to make sure that this will not slide right off of your hair. Typically, when you do something like a Yacky, braiding style, you want that bad boy to last a couple weeks, if not a couple months. You really got to get up into the scalp, because these have to be somewhat tight because you want them to last. Look today we're going to talk about how to do braiding styles with the yaki pony, hair, so tilt your head for me. The people work to replenish the sweetgrass populations, and in return the plant offers itself up as a gift to its respectful harvesters.Hi I'm T Cooper, I'm a New York City, makeup, artist, hairstylist and co-founder of beauty and grooming company Metro. Here sweetgrass becomes a symbol of Indigenous culture itself, while also still representing the reciprocity between land and people that is such a central aspect of that culture. As Robin and her Indigenous neighbors work patiently at planting new shoots of sweetgrass on ancestral Mohawk lands, she likens this activity to recovering the cultural roots that were stolen from so many of their ancestors at places like the Carlisle Indian School. “Putting Down Roots” then describes how sweetgrass is best grown not from seed but by replanting shoots. This suggests that sweetgrass has come to rely on humans as well, adapting to a relationship of give-and-take with the Indigenous harvesters. Despite the initial skepticism and scorn of her advisers, Laurie discovers that harvesting sweetgrass in the traditional way-by taking only half-causes the population to increase, while not harvesting at all caused a decrease in the sweetgrass. In “ Mishkos Kenomagwen: The Teachings of Grass,” she helps her graduate student Laurie study how harvesting sweetgrass affects the species’ population. Kimmerer then builds on this idea, emphasizing aspects of sweetgrass that represent reciprocity between people and land. Kimmerer introduces the plant by describing it as “the sweet-smelling hair of Mother Earth,” one of the first plants to sprout from the body of Skywoman’s daughter, so that picking and braiding sweetgrass becomes an act of intimacy with the land itself, like braiding one’s mother’s hair. Sweetgrass’s scientific name is Hierochloe odorata, and in Potawatomi it is called wiingaashk. Sweetgrass represents a way of looking at the world as a system of reciprocity between people and land, and the mutual love and nourishment that comes from such a generous two-way relationship. ![]()
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